Aleshea Harris' debut feature film, 'Is God Is', is a bold and captivating cinematic experience that challenges the boundaries of storytelling. With a unique visual language and a compelling narrative, the film has garnered critical acclaim and a dedicated audience, despite its modest box office performance. This article delves into the making of the film, exploring Harris' creative process, her approach to directing, and the impact of her work on the film industry.
A Playwright's Cinematic Journey
Aleshea Harris, a playwright with a background in visual art, embarked on a journey into filmmaking with a fresh perspective. Her interest in the medium was sparked by her ability to think in pictures, a skill honed through her studies in visual art and theater. This unique mindset allowed her to approach the adaptation of her Pulitzer Prize-nominated play with a distinct cinematic vision.
The process of translating the stage play to the screen presented Harris with a series of challenges. She had to curate every aspect of the film, from the performances to the visuals, to create a cohesive and engaging experience. The film's tone, inspired by ancient Greek tragedy and the Coen brothers' 'O Brother, Where Art Thou?', required a delicate balance between mythic and realistic elements.
Visual Storytelling and Twin Chemistry
One of the most striking aspects of 'Is God Is' is the visual language between the twin sisters, Racine and Anaia, played by Kara Young and Mallori Johnson. Their wordless communication, subtitled for clarity, is a testament to the power of non-verbal storytelling. Harris' decision to frame and choreograph their interactions with precision adds to the film's unique charm.
The casting process for the twins was meticulous. Harris sought actors who could embody the intimate bond between siblings, and she found it in Young and Johnson. Their chemistry, evident from their first Zoom call, translated beautifully on screen. The visual language between them, including their use of performative typography, adds depth and intrigue to the narrative.
The Power of Revenge Narratives
'Is God Is' delves into the realm of revenge, a theme that has captivated audiences for centuries. Harris explores the complexities of this genre, particularly in the context of Black women's experiences. She draws inspiration from films like 'Kill Bill' and 'Our Father, the Devil', showcasing her love for revenge narratives.
The film's villain, played by Sterling K. Brown, is a fascinating character. Harris' approach to his portrayal, including obscuring his face and emphasizing his voice, adds to the suspense. The final sequence, where the father's true nature is revealed, is a masterpiece of tension and emotion, leaving viewers with a lasting impact.
Learning the Craft of Filmmaking
As a first-time filmmaker, Harris faced numerous challenges, from attracting financing to directing action sequences. She surprised herself with her resilience and dedication, learning on the job and adapting to the demands of the medium. Her restraint and control in managing the film's chaos are commendable, especially for a debut feature.
Location scouting was an adventure, as Harris had to find locations that could represent the diverse settings of her play. Louisiana, with its unique landscapes, became the backdrop for the film's odyssey. The process of dreaming into spaces and crafting a distinct world is a testament to Harris' creativity and attention to detail.
A Cinematic Voice to Watch
Aleshea Harris' 'Is God Is' is a bold statement in the film industry, showcasing her unique voice and storytelling prowess. Her ability to blend visual art, theater, and cinema has resulted in a captivating and thought-provoking experience. As a filmmaker, she has proven that a great playwright can indeed make a great filmmaker, and her work is a testament to the power of artistic expression.
